Separate the artistic aim from handling materials
Demonstrate the process with a visible example and provide a way to clean hands or decline an uncomfortable texture. Avoid physically forcing contact with a material.
Free printable activities to try
These free Day by Day Tools activities include a printable pupil page and teacher guidance.
- Texture mark sampler — Develop drawn marks for contrasting textures and explain a choice.
- Light and dark values — Explore a range of drawn values and apply a deliberate contrast.
- Positive and negative shape — Notice both drawn shapes and the spaces around them.
- Repeat and transform a motif — Repeat a chosen unit and explore rotation, reflection or spacing.
Ask the pupil to explain or show their choices and judge the intended artistic learning, not conformity to one tool. Follow individual access and safety advice. Supporting pupils who dislike messy play can help staff plan participation without making tolerance of touch the objective.
Identify what the pupil needs to learn
Art involves making, looking, experimenting and discussing choices. Decide which part this lesson teaches: exploring line, arranging a pattern, mixing colours, developing an idea or comparing artworks. A finished picture alone may conceal both the pupil's understanding and the help an adult provided. England's art and design programmes describe a range of techniques and creative learning, so keep the subject aim visible when choosing an adjustment.
Observe the actual barrier. Can the pupil choose colours but not open the containers? Do they understand the demonstration but lose their place while collecting equipment? Is the difficulty seeing detail, handling a tool, understanding vocabulary or tolerating a texture? Ask the pupil what helps; family information and existing professional advice can inform suitable access arrangements without assuming that everyone with the same diagnosis needs the same equipment.
Model a process without prescribing one picture
Show a short technique where everyone can see it, then let pupils try it before adding the next demand. Name useful words such as line, overlap, lighter or texture while demonstrating their meaning. Leave a simple visual sequence available if remembering the order distracts from making artistic decisions. Offer an example to explain the technique, rather than expecting every pupil to reproduce the teacher's design.
Keep artistic decisions with the pupil
For example, a lesson might explore how repeated shapes create a border. Demonstrate a circle followed by a triangle, then repeat the pair. Let the pupil select two shapes, arrange a trial strip and decide whether to keep or alter the spacing. A handled stamp, prepared shape or suitable existing digital tool may allow the pupil to explore repetition when cutting or gripping is the immediate barrier. The adult can stabilise the paper or open paint while the pupil controls the arrangement.
If cutting, brush control or another particular technique is itself the learning goal, plan accessible teaching and practice for that skill too. Substituting a different tool does not demonstrate mastery of the original technique. Record both the artistic thinking shown and the practical assistance used, rather than treating an adult-finished product as independent work.
Make looking, experimenting and reviewing accessible
Provide an uncluttered view of the artwork and draw attention to one relevant feature. Pupils might point to contrasting lines, choose between colour samples, use their usual communication system or explain a preference orally. Teach the vocabulary needed for a useful comment, but do not make extended writing the only way to discuss art. Adapt the scale, position or presentation of materials to the individual; follow specialist advice where needed.
Keep trial marks, a small sample or a photograph of the pupil's work where school arrangements allow it. Revisit it together: which choice worked, and what might change next? Offer manageable opportunities to experiment and revise. A mistake need not mean starting the whole task again, and increased tolerance of an uncomfortable material should not replace artistic learning as the lesson's purpose.
Review learning and participation together
Choose one meaningful indicator: the pupil selects and repeats a pattern, demonstrates a taught technique, explains a choice or makes a change after looking at their work. Also check comfort, effort and the amount of prompting needed. Compare another suitable task before concluding that the adjustment helps. Reduce unnecessary adult decisions while retaining useful equipment, communication supports and essential safety arrangements. If access remains difficult, review the task with the art lead and SENCo and use relevant individual advice.
Further reading
- DfE: Art and design programmes of study (England)
- EEF: Inclusive teaching — universal approaches
- DfE and Department of Health: SEND Code of Practice
- Education Endowment Foundation: Special Educational Needs in Mainstream Schools
Use these sources alongside professional judgement and the pupil’s individual context.
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